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Trenor Park Builds a New Home
The Society for the Preservation of New England Antiquities
(SPNEA) describes the Park-McCullough House as "one of the finest and most
significant" Victorian mansions in New England. Innovations in this early
example of Second-Empire architecture included central heating and ventilation,
gaslights, hot and cold running water, and five bathrooms. Built by Trenor
Park, who had amassed a substantial fortune in California after the Gold Rush,
the house sits on land purchased in1864 from Park's father-in-law, Hiland Hall.
Park was deeply involved in the building of his new home and seems to have
acted as his own contractor.(1) Despite the Civil War,
construction proceeded during 1864 and 1865. The family moved into the house in
1865 on Christmas Day.
View of Veranda
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It is clear that the new mansion in the community where Park had
grown up in poverty was intended to make a statement. He built on a scale and
with lavishness that spoke clearly of the dream of rising from poverty through
hard work, perseverance, and shrewdness. Henry Dudley, of the firm Diaper and
Dudley in New York, was the architect. Dudley, an Englishman who immigrated to
America in 1851,(2) had by this time a national
reputation, and had built many churches and private homes, often employing a
Gothic vocabulary.(3) For Park, however, the choice was
Second Empire, a style that was becoming increasingly popular for the new
plutocracy, in that it spoke more of power, aristocracy and wealth, than of the
Christian virtues commonly associated with neo-medieval styles. The choice of
style was also forward-looking, especially for a rural village. The Second
Empire style had been introduced in New York in the 1850s for large academic
and public buildings,(4) but had not yet gained
widespread popularity, especially for residences. Family lore relates that Park
was inspired by the home that Dudley had built in Watertown, Massachusetts for
Alvin Adams of the Adams Express Company.(5)
The very large scale of the house, especially in a village of
small-scale Federal and Greek Revival buildings, asserts that it was the home
of a person of consequence. The thirty-five-room
mansion
featured an imposing seventy-five-foot long central hall and grand stair, and a
suite of five large, elegantly furnished rooms for entertainment and family
gatherings on the
main floor. Above the grand stairway were
decorative
plasterwork and a stained glass skylight. On the
second
floor were nine bedrooms and five well-appointed bathrooms, as well as
dressing rooms and closets. There were ten additional bedrooms on the third
floor. Elaborate fireplaces are found in all of the principal rooms, although
the house was equipped with central heating. Park's desire to have the best is
demonstrated by his choice of gas lighting for the house. While this was common
in cities at the time, in rural Vermont, Park was required to install an
automatic gas
machine to create the gas for his chandeliers.(6)
Park built a spacious
carriage
barn and stable at the rear. Formal gardens, a fishpond, a curved drive
through the landscaped grounds, a fountain, and a grape arbor also adorned the
property. The large family dog, Abe, was treated to his own scaled-down version
of the main house, which later served as a
playhouse
for the children.(7)
- All bills and correspondence concerning the
house were addressed to him. See Park-McCullough House, North Bennington,
Vermont: Historic Structure Report. Society for the Preservation of New
England Antiquities, 1990, p. 34.
- SPNEA, p. 14.
- SPNEA, p. 20.
- For example, besides the Schiff House (1850)
by Detlef Lienau, Boston City Hall by Gilman and Bryant (1860-61). The main
building at Vassar College by Renwick (1864) and Morrill Hall, Cornell
University (1865) were contemporaries of Park's house.
- Resch, Tyler. The Meticulous Advocate:
Hiland Hall of Vermont, A Biography. Unpublished MSS, 1987,
p.73.
- SPNEA report, p. 77.
- SPNEA report, p. 95.
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